A Child's Garden of Verses by Robert Louis Stevenson is one of the most illustrated children's books with more than 100 versions. Stevenson's poems capture the wonder and fantasy of childhood and I can see why every illustrator of children's literature would want to add their interpretation. I recently picked up a book that is a sort of anthology of early illustrators of A Garden of Verses. Put out by Chronicle Books in 1989, it includes illustrations of the poems by some 20 illustrators, from 1896 to 1940. The book is a pleasure to browse through, each illustration a delight to the visual sense.
Although all the illustrations are beautiful, some are particularly appealing to my sense of aesthetics. I find myself drawn over and over again to the Clara M. Burd illustrations. She often signed her work, C M Burd. I orignally found her through a rare book, called Friendly Animals. (As the book is in tatters, I have been matting the illustrations).
C.M. Burd is one of the few illustrators who went to Paris to study art. I think possibly it is her use of color that attracts me -- she often has a mix of muted, neutrals contrasted with brighter tones. This particular illustration is actually more colorful than most of her work. She also make nice use of light - I think she must have painted outdoors.
I would have liked to share all the illustrations in this book -- but I had to stop myself and include some of my favorites as well as some that show the diverse styles.
From 1922, Juanita Bennett -- a similar use of color in a more dream world style.I would like to find out more about this artist --not much information out there.
Jessie Wilcox Smith, 1905, very detailed, painterly, beautiful -- she is a very popular and well-regarded illustrator -- one of the few women who made it into the Illustrator Sourcebook. She was a student of Howard Pyle.
Millicent Sowerby, 1908, was primarily self taught and her work shows a great diversity. I was drawn to this one -- I think it has an Arthur Rackham feel to it.
The simpler, understated style of H. Willebeek Le Mair, 1926.
And again the prolific Margaret Tarrant, 1918 -- reminds me of early poster art.
Ruth Mary Hallock, 1940, love the very '40s look of this illustration. There is another of hers I like equally, but it needs more space.
And another very pretty one by Florence Edith Storer, 1909
I'd like to find the originals of these books in any condition.
Although all the illustrations are beautiful, some are particularly appealing to my sense of aesthetics. I find myself drawn over and over again to the Clara M. Burd illustrations. She often signed her work, C M Burd. I orignally found her through a rare book, called Friendly Animals. (As the book is in tatters, I have been matting the illustrations).
C.M. Burd is one of the few illustrators who went to Paris to study art. I think possibly it is her use of color that attracts me -- she often has a mix of muted, neutrals contrasted with brighter tones. This particular illustration is actually more colorful than most of her work. She also make nice use of light - I think she must have painted outdoors.
I would have liked to share all the illustrations in this book -- but I had to stop myself and include some of my favorites as well as some that show the diverse styles.
From 1922, Juanita Bennett -- a similar use of color in a more dream world style.I would like to find out more about this artist --not much information out there.
Jessie Wilcox Smith, 1905, very detailed, painterly, beautiful -- she is a very popular and well-regarded illustrator -- one of the few women who made it into the Illustrator Sourcebook. She was a student of Howard Pyle.
Millicent Sowerby, 1908, was primarily self taught and her work shows a great diversity. I was drawn to this one -- I think it has an Arthur Rackham feel to it.
The simpler, understated style of H. Willebeek Le Mair, 1926.
And again the prolific Margaret Tarrant, 1918 -- reminds me of early poster art.
Ruth Mary Hallock, 1940, love the very '40s look of this illustration. There is another of hers I like equally, but it needs more space.
And another very pretty one by Florence Edith Storer, 1909
I'd like to find the originals of these books in any condition.
